Download PDF by Richard Howells (auth.): A Critical Theory of Creativity: Utopia, Aesthetics, Atheism

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By Richard Howells (auth.)

ISBN-10: 113744617X

ISBN-13: 9781137446176

ISBN-10: 1349685798

ISBN-13: 9781349685790

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It would have been far easier and just as functional to have worked with plain wool, but the Zapotec went to enormous lengths to cultivate and produce coloured dyes from substances such as dried cochineal larvae. On top of that, they proceeded to weave intricate designs that involved frequent changes of coloured yarn and variations in technique at the loom. ’ Zapotec weaving might have gone unnoticed outside Mexico had it not been for a number of important developments involving both transportation and Mexico’s large and prosperous neighbour to the north.

He was a Marxist who was unafraid to criticise – or at least to modify – Marx. But even among the modifiers, Bloch was something of a renegade. The critical theorists of the Frankfurt School had gone beyond Marx in taking culture – and especially ‘mass culture’ – seriously. Like Bloch, they believed that crude economics and ‘holy writ’ Marxism were not sufficient to explain the status quo – especially when the revolution that Marx and Engels had described as ‘inevitable’ had still not come to be.

36 This concept, as we will see, is also to be found in Bloch, together with Gramsci’s opposition to absolute truths. ’ This is a phrase that appears in the first of his prison notebooks, from an entry in 1929. Here, Gramsci is musing upon the Country of Cockaigne, the imaginary medieval land 34 A Critical Theory of Creativity of leisure, luxury and plenty – a recurring Utopian vision which, as we shall see, features in the hopeful philosophy of Ernst Bloch. 37 Such ridiculous fantasies, he said, needed to be struck down in pursuit of ‘sobriety and intellectual order’.

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A Critical Theory of Creativity: Utopia, Aesthetics, Atheism and Design by Richard Howells (auth.)


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