M. Makinen's Agatha Christie: Investigating Femininity PDF

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By M. Makinen

ISBN-10: 0230598277

ISBN-13: 9780230598270

ISBN-10: 0333714717

ISBN-13: 9780333714713

ISBN-10: 0333930649

ISBN-13: 9780333930649

ISBN-10: 1349521000

ISBN-13: 9781349521005

Christie's books depict ladies as adventurous, self reliant figures who renegotiate sexual relationships alongside extra equivalent strains. girls also are allowed to disrupt society and but the texts refuse to work out them as double deviant as a result of their femininity. This e-book demonstrates precisely how quietly innovatory Christie used to be on the subject of gender.

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Extra info for Agatha Christie: Investigating Femininity

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At the beginning of Murder on the Orient Express (1934), the English woman’s first view of him is presented as ‘A ridiculous-looking little man. The sort of little man one could never take seriously’ (MOOE, p. 13),48 but this is no longer a sentiment we are asked to share in as readers, since we have already been privy to Poirot’s discreet but momentous services to ‘the honour of the French army – you have saved much blood-shed’ (MOOE, p. 11), and so the xenophobia backfires, indicting the thinker as small-minded and wrong in ways that are not always present during the process of reading Styles.

Beginning in 1922 as two de-mobbed ‘bright young things’ looking for work and adventure after the First World War, the Beresfords are the least alienated of the detectives Christie created (for all that Tuppence’s femininity is less constrained by establishment mores in the quote above), though they are not strictly detectives so much as intelligence agents. G. Wodehouse’s ‘Blandings’ novels,5 and perhaps serves some of the same distancing tropes for the reader who is invited to take them less seriously than Poirot or Marple.

Ever the unconventional active femininity, Tuppence in her seventies dangerously scoots down hills in a child’s toy horseand-cart in Postern of Fate. The five Beresford novels not only renegotiate a modern, more independent cultural femininity, they also highlight the lack of feminine models generically within classic detective fiction. InThe Secret Adversary, Tuppence is referred to as ‘Sherlock’ when she proposes ‘to reason in a logical manner’ (SA, p. 78) and she resolves to be a ‘Private Investigator’ in By the Pricking of My Thumbs (BTPOMT, p.

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Agatha Christie: Investigating Femininity by M. Makinen


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