Download PDF by Daphne Oram: An individual note: of music, sound and electronics (A

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By Daphne Oram

ISBN-10: 0852491093

ISBN-13: 9780852491096

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Additional info for An individual note: of music, sound and electronics (A Galliard paperback)

Example text

That is the distorted resonance of madness. Possibly you prefer Pop to 1. S. Bach . . perhaps, then, you can try using the psychedelic lighting, the rhythm of the pop group, the screams of the singer as a quickening of the physical band; perhaps follow this with some mental gymnastics to quicken this waveband too . maybe you will then find it possible to emphasise the region of CEl E. But beware of becoming benumbed, of being hypnotised, of being 'switched on', or rather 'switched off', for then your individual wavepattern will not be able to play its part; it will gain no lasting benefit and you will find yourself impatiently repeating the experiment over and over again, whenever you want the experience.

Maybe you will then find it possible to emphasise the region of CEl E. But beware of becoming benumbed, of being hypnotised, of being 'switched on', or rather 'switched off', for then your individual wavepattern will not be able to play its part; it will gain no lasting benefit and you will find yourself impatiently repeating the experiment over and over again, whenever you want the experience. Let us now tum from the listener to the composer. When a composer has found that he has a gift for 'tuning in' his wavebands, and that he now wishes to transduce the spark he has received into a musical composition, he has the difficult task of finding a form and of evolving a style which will support all aspects of his endeavour.

Should be softer than the original sOlmd. It is your hand on the playback volume knob which can control tlus factor . ) What happens if you turn up the playback volume control fairly high so that the feedback signal reaching the record head is higher in volume than the original signal? Each time the signal goes from playback to record it will be raised in volume and, as we are repeating it over and over again every t of a second, it will get greater and greater. The record amplifier will soon find this feedback signal is too high and will start squaring off the peaks of the wavepatlerns, thus adding overtones.

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An individual note: of music, sound and electronics (A Galliard paperback) by Daphne Oram


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