Michiko Suzuki's Becoming modern women : love and female identity in prewar PDF

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By Michiko Suzuki

ISBN-10: 0804761973

ISBN-13: 9780804761970

ISBN-10: 0804761981

ISBN-13: 9780804761987

Featuring a clean exam of ladies writers and prewar ideology, this booklet breaks new floor in its research of affection as a severe element of jap tradition throughout the early to mid-twentieth century. As a literary and cultural historical past of affection and feminine identification, Becoming smooth Women specializes in same-sex love, love marriage, and maternal love―new phrases at the moment; in doing so, it exhibits how the assumption of "woman," in the context of a colourful print tradition, was once developed in the course of the glossy adventure of affection. writer Michiko Suzuki's paintings enhances present scholarship on girl identities akin to "Modern lady" and "New Woman," and translates women's fiction along side nonfiction from a number of media―early feminist writing, sexology books, newspapers, bestselling love treatises, local ethnology, and historiography. whereas illuminating the ways that girls used and challenged rules approximately love, Suzuki explores the historic and ideological shifts of the interval, underscoring the wider connections among gender, modernity, and nationhood.

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And it is probably a phenomenon of disease. 8 In the unequivocally “sick” ome relationship, the masculine woman was viewed with great fear, as having the power to corrupt and transmit same-sex desire to the nonmasculine (and therefore “normal”) woman. 9 Although female-female love as a whole caused some level of unease and increased scrutiny, discourses about such relationships tended to be polarized throughout the period, most often oscillating between ideas of purity and innocence and those of sexuality and deviance.

Yoshiya defends same-sex love by insisting that it is part of a broader notion of love, a virtue she calls “Evolution Power,” using these very words in English. Female-female romance in youth should not cause educators to worry, because it is part of a greater trajectory of love. In fact, in order to discern true love in the future, to avoid being led astray by false men and their shallow promises of romantic love, all girls should experience same-sex romance. ”9 In positing this view that romantic friendship is a requirement for successful human development and an important component of adolescent education, Yoshiya reiterates the opinions expressed by Edward Carpenter in a chapter of The Intermediate Sex.

19 Textual symbols—in particular the dashes and six-dot ellipses—are liberally used in both description and dialogue in Flower Tales. Here is a sample description from “Hamanadeshiko” (Japanese pink) in which Sakiko plays  girls and virgins the koto, a stringed instrument, with picks made from pink shells. The picks were a present from Masumi, a girl who was in love with Sakiko and now appears as a ghost after having committed suicide: A small star fell at a slant······the moment the autumn evening wind blew in, suddenly turning out the sleeves of the beautiful child at the koto······blossoms of Japanese pink scattered on the thirteen strings······a faroff sound of the waves was heard······Sakiko’s white fingertips wavered in their movement······how strange that her hands held petals of Japanese pinks as she played······she could not tell which were petals······in the front of the garden, in the soft night wind of autumn, black hair wet with dew, a standing shadowy figure—it was Masumi, the one who had given her the pink shells—Sakiko’s fingers left the instrument—Masumi—she called loudly the name of that shadowy figure—.

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Becoming modern women : love and female identity in prewar Japanese literature and culture by Michiko Suzuki

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